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These are the Okuden or so called "hidden" or
"inner" techniques.
The following forms are performed from a standing position and thus
are also known as:
Oku Iai - tachiwaza no bu
| 1 |
Ippon Me |
Yukizure |
Accompaniment |
| 2 |
Nihon Me |
Tsuredachi |
Companions |
| 3 |
Sanbon Me |
So Makuri |
Complete Resolution |
| 4 |
Yonhon Me |
So Dome |
Full Stop |
| 5 |
Gohon Me |
Shinobu |
Loyal Retainer |
| 6 |
Roppon Me |
Yukichigai |
Misdirection |
| 7 |
Nanahon Me |
Sodesuri Gaeshi |
Sleeve Flip |
| 8 |
Hachihon Me |
Moniri |
Entering the Gate |
| 9 |
Kyuhon Me |
Kabezoi |
Between Walls |
| 10 |
Jippon Me |
Ukenagashi |
Parrying |
In addition the following forms are usually added although they are
performed from seiza.
| 11 |
Juippon Me |
Itoma Goi (So no Ichi) |
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| 12 |
Jinihon Me |
Itoma Goi (So no Ni) |
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| 13 |
Jusanbon Me |
Itoma Goi (So No San) |
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There is also a collection of tate-hiza oku-iai forms.
Oku Iai - I Waza No Bu
| 1 |
Ippon Me |
Kasumi |
| 2 |
Nihon Me |
Sune Gakoi |
| 3 |
Sanbon Me |
To Zume |
| 4 |
Yonhon Me |
To Waki |
| 5 |
Gohon Me |
Shiho giri |
| 6 |
Roppon Me |
Tanashita |
| 7 |
Nanahon Me |
Ryozume |
| 8 |
Hachihon Me |
Tora Bashiri |
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